1408

The premise finds Cusack’s character as an author of paranormal books, even though he doesn’t believe in such things himself. However, when researching his latest work, he checks into the mysterious room 1408 at The Dolphin Hotel in New York, managed by Samuel L Jackson in an effective cameo. But room 1408 is a room where nobody has lasted more than an hour in it, and thus Cusack considers it the perfect location for some book research.

It’s in the build up of its premise where 1408 is very much at its strongest. Cusack is a compelling guide through the story, and the film delivers some effective chills and jumps as the tension ratchets up. Into the final act and this control is relaxed, and as a result some of the potential is wasted, but you’re still hard-pushed to feel short-changed as the credits role. For 1408 proves to be both an effective little horror film, and one of the best Stephen King adaptations in many, many years.